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Director Robert Abel and producer Pierre Adidge present a marvelous look at Elvis in this documentary, using concert, rehearsal and backstage footage, as well as clips from the early days of his career, and a montage of him kissing his co-stars while "Love Me Tender" is performed. Excellent use of split-screen techniques are used, and the cinematography is always interesting.
Elvis looks in great shape from the neck down, quite trim and with the athletic flexibility to do deep leg lunges, and delivering each song with enormous emotional and physical energy. His face shows much dissipation however, and tells another story; the feeling one gets from this film is of a desperately sad man, a hurting soul, putting a brave mask on for the world. There is also not even a flicker of ego...we see only a hard-working guy, with not a shred of arrogance. He wears his flashy clothes with grace, style and humility, and sings his heart out, and it's a beautiful thing to see.
His voice is occasionally wobbly (and the sound quality also has its variables), but for the most part he shines, particularly in the songs with a spiritual theme. "Bosom of Abraham," "I John," and especially "American Trilogy" and "You Gave Me a Mountain" are very moving, and terrific listening.
His band is wonderful, and his back-up singers, The Sweet Inspirations and J.D.Sumner and the Stamps Quartet, an added delight.
Song list:
"Johnny B. Goode" (film titles)
"See See Rider"
"Polk Salad Annie"
"Separate Ways" (recording studio)
"Proud Mary"
"Never Been to Spain"
"Burning Love"
"Don't be Cruel" (over early stills and clips)
"Ready Teddy" (Ed Sullivan Show)
"That's All Right"
"Lead Me, Guide Me" (rehearsal)
"Bosom of Abraham" (rehearsal)
"Love Me Tender"
"Until it's Time for You to Go"
"I John" (rehearsal)
"Bridge Over Troubled Water"
"Funny How Time Slips Away"
"An American Trilogy"
"Mystery Train" (at an airport)
"Suspicious Minds"
"I Got a Woman"
"Amen"
"A Big Hunk of Love"
"You Gave Me a Mountain"
"Sweet, Sweet Spirit" (exquisitely sung by J.D. Sumner and the Stamps)
"Lawdy Miss Clawdy"
"Can't Help Falling in Love"
"Memories" (final credits)
You don't have to be an Elvis fan to enjoy this film, but you're guaranteed to have a deeper appreciation of his talent, and understand why he was "The King" after seeing it.
This is one of the best music documentaries I've seen, up there with Martin Scorsese's "The Last Waltz," who incidentally, is listed as Montage Supervisor in the credits of this film.
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